The Osiris Initiative: A Review

Osiris with Retainers Hieroglyph

Here at The Boron Heist, we have previously reviewed quite a few works by indie author Ryan McGinnis including his last novel Tears of the Dragon and his newest short story “The Musician’s Daughter.” Now, McGinnis has penned the second major installment of his Xavier Greene spy-assassin series: the upcoming novel The Osiris Initiative! At The Boron Heist, we’ve been chewing the fat for a couple days, reading through and ruminating on McGinnis’s newest effort. The novel is an improvement upon Tears and shows McGinnis constantly developing his ability to interweave complex plot threads from multiple narrators while hedging his subtext more deeply into the plot and spinning an electrifying yarn for his readers.

In The Osiris Initiative, the first five chapters are each told from a different perspective. While a few of these–Xavier, Logan, the mechanic from Tears–drive the plot, one is an innocent bystander, of sorts, caught in the crossfire of a mysterious organization’s war on the Citadel: Xavier’s employer. The shifting perspectives, each packed with their own action sequences and resultant carnage, engage the reader from the very beginning and make it difficult to put the book down for quite some time. We learn that Martinez has gone rogue since the events of Tears some months prior, that Logan has retired to a ranch in Montana, and that Xavier is almost fully healed from the havoc the Silver Wraith, Liliya Orloff, wreaked upon his body during the last mission. Now, Xavier has been tasked with killing the would-be assassin of a United Arab Emirates royal and Logan is being wooed by executives from the cryptic Axion corporation.

When Xavier’s mission goes south, an obvious double-cross by an outside party, Logan begins to question the motives of Axion, and Martinez finds a bounty on Xavier’s head advertised on the Dark Web, the three professionals’ destinies become intertwined once again in this rousing new political-action thriller.

Unlike Tears of the Dragon, the full nature and implications of the the Osiris Initiative at the core the novel’s plot are only traced in part. The group that put out the kill order on Xavier’s life and that is also targeting Citadel safehouses and stations has likewise created a code to link together all cameras on the planet, which are connected to the internet. Together with facial recognition software, they hope to be able to track any individual, anywhere, at nearly any time and to develop the world’s most sophisticated network against anyone they perceive as threatening their interests. While we live in a police state in America now, in the real world, and the NSA collects all our metadata into personnel files, the fear of a panopticon, of a universalized surveillance system, seems to be waning. However, The Osiris Initiative may serve to remind readers of the horrors of this system, as well as the fact that our political institutions are not run by idealistic, humanitarian sovereigns, but instead by power-hungry persons controlled by corporate powers. When every move you make is tracked, is it possible to truly act freely? Xavier’s foiled attempts to avoid the panoptic surveillance system aimed directly at registering his face and sending assassins his way foregrounds our own inability to operate from the shadows. And sometimes, operating from the shadows is the only way to combat dehumanizing bureaucratic forces.

Like those much-maligned (by me and Scorsese at least) superzero films whose preponderance signifies a lack of faith in our institutions and in our public defenders to provide our defense, Xavier Greene’s, Logan, and Martinez’s efforts in The Osiris Initiative provide readers with much-needed catharsis. The danger of marvel narratives is that only those endowed with superhuman power or grotesque economic advantage have the power to counter corrupt institutions. However, Logan and Martinez provide a counternarrative of the average person’s ability to do likewise and therefore, the novel avoids some of the major pitfalls of hero and action texts.

For all this talk of deeper meanings and implications, The Osiris Initiative is really anything but heady. The ideas are couched deeply enough into the text so as not to burden the plot, and instead function as interesting background to the modern world that makes up the foundation of McGinnis’s plot: our world. The relevance of that world to readers renders it real for them while the fight sequences, chase sequences, and bureaucratic intrigue drive the plot forward in this nail-biter of a novel. The Osiris Initiative is a thrilling read with plot twists and turns that keep the reader on the edge of their seat with a cliffhanger climax that promises many morsels of cinematic excess and enjoyable reading ahead.

The Osiris Initiative will be released on March 21st through Amazon books, so pre-order your copy today!

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About theboronheist

"a way a lone a last a loved a long the/ riverrun, past Eve and Adam's, from swerve of shore to bend of bay, brings us by a commodious vicus of recirculation back to Howth Castle and Environs."

4 responses to “The Osiris Initiative: A Review”

  1. osmovies says :

    You must know a lot about Ancient Egypt. Just as long as you don’t run into any mummies.

    • theboronheist says :

      I’d definitely like to know more though. I heard a lecture on ancient Egyptian religious philosophy a long time ago and was definitely intrigued by the concept of Ma’at (think I’m writing that correctly).

      • osmovies says :

        That’s cool. Back then when I was in high school, and I was to do a geography project, I did Egypt. I wasn’t allowed to mention on ancient times in that assignment. Not to mention any mummies. And I passed it correctly. My teacher loved for what I did. So did my friend Jamie on Japan. My other friend Erik didn’t on India. He thought the food in India were to be like that dinner scene from “Indiana Jones: Temple of Doom”. Where they eat rhino beetles, eyeball soup, live eels or snakes, and lastly for dessert, frozen monkey brains. Which is why it’s not my favourite film by Steven Spielberg because of the things that terrify you.

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