As always, this is my update for all the notable and important goings on with manga releases, anime home video releases, and theatrical anime coming to North America this month, as well as a short rejoinder about the anime conventions happening in my own region of the USA. So without further ado…
Seven Seas Entertainment, usually a goldmine for classic collection releases by manga-ka auteurs like Go Nagai and Leiji Matsumoto, is not releasing any new manga of note this month, but are always an interesting indie to keep an eye on in the ever-increasingly-burgeoning field that is North American manga distribution. So keep them on your radar.
Kodansha Comics is releasing a very interesting compendium on June 25th: the Princess Jellyfish Complete Manga Box Set. For anyone (like myself) who watched the short-running cult classic anime series of the same name, loved it, and wanted to learn more about the story, this box set is your answer. And if I had more money, know for certain that I’d be getting this box set myself.
Viz Media is releasing, amongst a large sleight of titles, three extremely interesting items in the month of June. The first two of these are to be released on June 4th (the day of this posting): the Dragon Ball Complete Box Set and the Dragon Ball Z Complete Box Set. These are obviously classic series and the list prices ($140 and $220, respectively) are very reasonable for the sheer number of volumes in each work. The third notable release from Viz comes to us on June 11th: Evangelion Illustrations 2007-2017. Unlike many art books, which seem to be little more than cash grabs from dated franchises looking to cash in on nostalgia instead of producing new content, this book attempts to cash in by selling readers a book of pictures of past merchandise and merchandising campaigns. And because I’m a mark for anything Evangelion, I might bite this time around (don’t be like me if you can help it).
Finally, Dark Horse Comics- a name more typically associated with Western comics than manga- is releasing the first of a two-part omnibus by Gou Tanabe entitled H.P. Lovecraft’s At the Mountains of Madness. Gou Tanabe is a masterful artist whose work bridges the gap between the Japanese manga style and the Western graphic novel and his adaptations of Western literary classics are known for their sumptuous artistry and attention to detail. This first half of the story will come in a 320-page book for only $20 and is set for release on June 12th. If you were to pick up only one of the manga recommendations listed here thus far, this would be the one.
Anime Home Video Releases:
Discotek Media is, as they do each month, releasing a small number of highly curated material. And in June, two of their releases deserve mention here. The first is the 1986 anime series The Wonderful Wizard of Oz set for release for the first time in North America on Standard Definition Blu-Ray Disc. The second is Cyborg 009: The Cyborg Soldier also set for an Sd Blu-Ray Disc release. Both of these home video releases will be available through the Discotek Media website or from one of their booths at an anime convention near you on June 25th.
Sentai Filmworks is releasing a number of interesting titles in June 2019, the most important and critically-acclaimed of which is their Blu-Ray release of Studio Gainax’s classic Space Opera Royal Space Force: Wings of Honneamise. Hitherto, I’ve only been able to find this film on a decade-old DVD release from Sentai, so this new release (June 4th) comes as a breath of fresh air, especially since Gainax (or more correctly, their subsidiary Gaina) is currently working on the film’s sequel Uru in Blue set for a 2022 release (if we’re lucky.
The third and final company to mention here is GKID’s who are known for releasing most of Studio Ghibli’s film library to the West (minus many early Isao Takahata classics). On June 18th, they will be releasing a Blu-Ray/DVD combo pack of the Studio Ponoc anthology film Modest Heroes. But that’s not all. GKID’s has also recently acquired the North American distribution rights to four anime films: 2 Studio 4°C anthology films entitled Genius Party and Genius Party Beyond; the coming of age story The Case of Hana and Alice; and the 2007 minor classic Summer Days with Coo by acclaimed anime director Keiichi Hara (Miss Hokusai). That said, keep an eye out in the coming weeks and months for more news about how GKID’s plans to handle these films and whether and which ones will receive home video release and theatrical releases through Fathom Events.
Funimation Films is one of the few distributors of theatrical anime in North America that shows its films in more than a few select cinemas. As such, it is always an interesting and promising prospect for those like myself who like to see their animated features on the largest screen possible. Unfortunately, they have no features set for theatrical release in June of 2019. Fortunately, they will have a number of interesting features set for release later this year including the Osamu Dazai adaptation Human Lost and the new Eureka Seven film Anemone.
Fathom Events is typically the theatrical anime distributor you can trust to have at least one release in theaters in any given month. And unfortunately, they too have no films sleighted for release this month! Luckily, next month there a number of great Ghibli films and otherwise set to reach their theater distribution chain including Yoshifumi Kondo’s mesmerizingly beautiful coming of age story Whisper of the Heart in theaters July 1st and 2nd.
Last but not least, there are three notable conventions in my region (the South-Eastern USA):
Gamga Con in Greensboro, NC on June 8th.
Anime Ink in Richmond, VA from the 14th-16th.
& Rangerstop and Pop Con in Atlanta, GA from the 21st-23rd.
Ciao for now,
Normally, in this monthly anime update I discuss all notable or classic manga and home video anime releases coming to the North American market for the month. However, after an extensive search of about a dozen manga distributors and half a dozen home video anime distributors, I have come up short with suggestions for this month.
At this point I’ve seemingly become jaded and bored with much of the light novel adaptations, slice of life, kitsch, and low-brow productions offered up. My critical apparatus is somewhat dull by virtue of spending so much time away from the cinema as of late, and yet my taste remains true and my standards remarkably high. If you don’t believe me, go check out my go-tos for suggestions in this regard: Seven Seas Entertainment, Viz Media, Kodansha Comics, Dark Horse Comics, Discotek Media, Sentai Filmworks, and GKID’s. None of these companies is coming out with a new manga series of note in this particular month or releasing any classic anime either.
But I digress… for the time being. Theatrical anime is still a good prospect for the month of May. To begin, Funimation Films is releasing Code Geass: Lelouch of the Re;urrection (not a typo btw) to select theaters on May 5th, 7th, and 8th. So if you’re a fan of that somewhat kiddy fair ten years after it was popular with a whole host of, shall we say, less than effete minds, then by all means go check it out.
GKID’s and Fathom Events are still partnering to present North American audiences with Studio Ghibli Fest 2019. And for the month of May, they are delivering the goods with what is quite possibly the greatest animated feature ever made: Nausicaa of the Valley of the Wind. This film (released in 1984) was famously the impetus for the creation of Studio Ghibli (founded 1985) as Miyazaki and Takahata worked together to fund and create it along with Studio Topcraft (who they would later acquire after the bankruptcy of Topcraft’s No.1 commisioner Rankin/Bass), which established the core of Ghibli. The film will show nationwide on May 20th and 21st, and as this is the film’s 35th anniversary, expect some extra features.
GKID’s is also releasing an interesting new Ghibli home video product on May 14th: a Princess Mononoke Collector’s Edition Set with a ton of extra features that more than make up for the $50 price tag. This release will be the definitive home video release of the film, potentially for decades, so I advise you to check that out here.
Fathom Events, like the champs they are, are also delivering more theatrical anime to your veritable doorstop this month. In 2017, a light novel about a Japanese Salaryman who dies and is reincarnated into an alternate reality world where World War I meets II with magic was adapted into a 12-episode anime. In 2019, the direct sequel of this beloved series was adapted into an animated feature. And now, it comes to American theatrical audiences through Fathom Events for one day only: May 16th. The series is called The Saga of Tanya the Evil, and is looks pretty phenomenal.
Finally, the convention schedule, like everything else this month, is pretty slim for the South-Eastern United States. As far as I can tell, there are only four cons going down within 12 hours of Charlotte, NC (my city). They are as follows: Carolina Anime Day in Charlotte on the 4th; Animazement (NC’s biggest anime convention) in Raleigh from the 23rd till the 26th. MomoCon (one of GA’s largest cons) in Atlanta from the 24th-26th. And GalaxyCon in Richmond, VA from the 31st until the 2nd of June.
With that, I’ll be signing off for the time being. So…
Ciao for now,
Though I’ve been largely absent from the reader for the past month, I wouldn’t miss this day if I can help it: the first day of the month. That means it’s about time I send out an update here regarding all of the cool new things going on with theatrical anime, home video releases and manga coming to a North American audience, plus a review of my region’s best upcoming Anime and Otaku Conventions. So, without further ado, here I go.
For starters, Seven Seas Entertainment is releasing a very important Classic Collection title that all true manga nerds will want to get their hands on immediately: the Space Battleship Yamato complete collection in one volume, set for release on April 9th. This tome contains Leiji Matsumoto’s legendary space opera series in its entirety for what I believe is the first time in the West. Author of series like Galaxy Express 999 and Space Captain Harlock, Matsumoto is one amongst a godhead of classic manga-ka including names like Osamu Tezuka (Astro Boy), Go Nagai (Devilman), Shirow Masamune (Ghost in the Shell), and Rumiko Takahashi (Ranma 1/2) who have helped to influence and shape the current form and content of manga like none other. So I hope you check out this manga when it becomes available.
Viz Media is also releasing some pretty exciting books this month such as The Art of Nausicaa of the Valley of the Wind on the 16th and a hardcover Nausicaa Picture Book on the 30th. Most interesting, however, is the publication of a new series of everyone’s favorite horror comics artist Junji Ito. Smashed: Junji Ito Story Collection is set for release on April 16th and will assuredly be filled with spine-tingling macabre art and head-trippy surreal concepts in spades.
As for home video releases, Discotek Media is back in the game this month after a short hiatus brought on by their distributor moving house. On April 30th, they have quite a few releases slated. The ones that most piqued my interest include a DVD of the 1988 Cyberpunk OVA Appleseed (based on Shirow Masamune’s classic manga) and an HD Blu-Ray of Episodes 1-26 of Lupin III Part IV The Italian Adventure.
Sentai Filmworks has a ton of releases set for this month, but the most important of these, historically-speaking, is their Gatchaman Collector’s Edition slated for release on the 30th. This includes the entirety of the over-100 episode series, the OVAs, the film, and a large artbook. This is THE definitive version of this classic series, and thereby deserving of its $99.99 price tag.
Then we have theatrical anime to consider for April. Funimation recently released some interesting material in February and March, but is currently not announcing any films for April. However, keep them in mind for the summer as they have two interesting films already set for release during that time period: Anemone: Eureka Seven Hi-Evolution (The newest Eureka Seven project) and POLYGON Pictures Human Lost based on an original story by famed Japanese author Osamu Dazai and directed by Fuminori Kizaki (Afro Samurai, Psycho-Pass). The latter of these two films looks to be an intense and arresting cyberpunk-tinged tale of future dystopian society, and thereby a film this anime reviewer will not be missing out on (if he can help it).
GKIDs is releasing two films they hold the North American distribution rights to through Fathom Events. The first is the long-anticipated 1st feature-length film by Studio Ghibli-veteran Kitaro Kosaka entitled Okko’s Inn. The film is produced by Studio Madhouse and thereby retains a high level of executive quality control in the process of choosing scripts and in releasing a film with their name on it. As Kosaka’s previous short film efforts Nasu and Nasu II were fantastic and even milestones in the history of anime (the former was the first anime filmed premiered at Cannes Film Festival), Okko’s Inn ought to be a great film. Catch it in theaters on the 22nd or 23rd of this month.
The second film being released by GKIDs through Fathom Events is the first film in this year’s Studio Ghibli Fest: Howl’s Moving Castle. As this is the 15th Anniversary of the film, expect to see some interesting bonus content about the film before or after its airing. Plan to catch this film on the 7th, 8th, or 10th at a theater near you.
And finally, GKIDs is releasing Mamoru Hosoda’s new film Mirai of the Future on Blu-Ray, DVD, and digital on April 9th. So pick that up when you get a chance to continue rounding out your collection with great films by anime’s auteurs.
I’ll conclude this update with a quick run through of my region’s upcoming anime cons of consequence. The first is Nashicon in Columbia, SC from the 5th-7th. Nashicon was the first convention at which I ever presented a panel and it means a great deal to me. I would be there myself this upcoming weekend if not for the fact that my band is releasing our debut EP in Charlotte, NC on Saturday night. If you live in the area and are interested in attending that, here’s a link to The Boron Heist EP Release Show.
From the 13-14th, TigerCon is going down in Valdosta, GA. From the 19th-21st, Middle Tennessee Anime Con is happening in Nashville. And on the 20th, a one day convention entitled KiraKira Con is being held in my home city of Charlotte, NC at UNC Charlotte!
This concludes this month’s anime update. If I left out any pertinent media companies, events, or types of information you wished I had covered here, please let me know and I will do my best to incorporate said information in future Anime Updates!
Ciao for now,
It’s about that time, in fact a few days past that time, when I review all the cool things going on in the world of anime, manga, theatrical anime, and the monthly convention schedule for the Southeast U.S.
For starters, I searched through the monthly manga releases by Viz and Seven Seas Entertainment and found no new series being released that really piqued my interest in any way this month. However, I am open to suggestions for other North American manga re-publishing houses to cover in the future (this also holds true for home video anime release companies I may not mention and groups who release theatrical anime on a nationwide scale).
That said, there are a few anime home video releases to keep an eye out for this month. The first is the classic sci-fi stop motion series Star Fleet, which is being released in full along with the complete X-Bomber series by Discotek Media on March 26th on SDBD, or Standard Definition Blu-Ray disc.
Sentai Filmworks is also releasing an important series in complete collection form this month. That series is the Armored Trooper VOTOMS TV Collection on SD DVD. So check that out and the rest of Sentai’s upcoming release schedule HERE.
This past month, the GKID’s licensed Studio Chizu film Mirai of the Future was honored at the Academy Awards by becoming the first non-Ghibli anime film to ever compete for the Best Animated Feature Film category. To celebrate, GKID’s decided to re-run the film a second time in theaters. So if you haven’t seen Mamoru Hosoda’s fifth film on the big screen yet and thought you had missed your chance, use the opportunity asap while its still a possibility. And also keep updated on fellow Ghibli alum Kitaro Kosaka’s new film Okko’s Inn, set for release in April, at the GKID’s site.
As always, Funimation is an important name to keep in mind regarding monthly theatrical anime. And this month, they came through in a minor way. Funimation will be releasing the first two episodes of the new Fruits Basket anime theatrically on March 26th and 27th in select theaters nationwide. So keep that feather in your cap and stay updated on their projected release of the new Eureka Seven film later this year HERE.
Finally, I would be extremely remiss if I didn’t mention the best distributor of theatrical anime in the nation, Fathom Events. These cats were the ones who got me into watching anime in theaters in the first place and on every given month, they will have multiple titles coming to major theater chains near you like the AMC in my hometown, for example. This month you can catch Fate/Stay Night [Heaven’s Feel] II. Lost Butterfly in theaters on the 14th; as well as an edited theatrical version of the Made in Abyss series on the 20th and 25th in support of the projected second season set for release later this year.
Moreover, Fathom finally announced its 2019 Studio Ghibli Fest on Valentine’s Day last month and we’ll start off in a big way with Howl’s Moving Castle in early April. And as always, don’t fret if (like myself) you have already seen every Miyazaki film on the big screen. There will a variety of great Ghibli classics playing throughout the year like Yoshifumi Kondo’s classic Whisper of the Heart, Hiromasa Yonebayashi’s The Secret of Arrietty, and Isao Takahata’s final film The Tale of Princess Kaguya. Check all of that out and more (like boxing events, classic film series, and operas) HERE.
Finally the con schedule for my region this month is as follows:
Agama Con from 2nd-3rd in Aiken, South Carolina.
Murfreesboro Anime and Comic Kon from 2nd-3rd in Murfreesboro, Georgia; Savannah Animazing Con from the 30th-31st in Savannah, Georgia.
Madicon from the 8th-10th in Harrisburg, Virginia; KigaCon from the 15-17th in Newport News, Virginia.
MidSouthCon from the 15th-17th in Memphis, Tennessee.
And finally, Triad Anime Con from the 15th-17th in Winston-Salem, of my home state North Carolina. At this convention I will hosting a panel on the ‘Other Studio Directors’ beyond the Studio’s founders Hayao Miyazaki and Isao Takahata. So, if you know anyone in the area, alert them to that and if you yourself are planning to attend, hit me up!
Ciao for now,
It’s that time again. The beginning of the month when I collate all the cool stuff happening with Anime, Manga, and Conventions this month.
As always, Fathom Events is the group bringing the most theatrical anime to North American Theaters this month. On February 7th & 10th you can catch the American Premiere of I want to eat your pancreas, which is a pretty highly acclaimed coming-of-age romantic drama that has little to do with the guro its name implies. The second film you can check out in local theaters through Fathom is Mobile Suit Gundam Narrative on February 19th. This is an adaptation of the 11th Gundam Unicorn novel and is directed by Toshikazu Yoshizawa, who also directed the acclaimed Mobile Suit Gundam Thunderbolt anime series. Third piece of news here is that neither GKIDS nor Fathom have announced a Studio Ghibli 2019 film series though this event began in March during the past two years it ran. So keep an ear to the ground for that one.
Next up, anime home video releases. Starting with Discotek Media, there are three announcements that are particularly interesting, all set for release February 26th. The first two are Blu-Ray releases of famed Madhouse director and anime auteur Rintaro’s films Galaxy Express 999 and Adieu Galaxy Express 999. The second is a little-known cult classic anime film, again from Studio Madhouse, called Twilight of the Cockroaches that is set for DVD release in what I believe is the first such Western release of the film.
Second, is another three films set for release through Sentai Filmworks this month, all on Blu-Ray. The first, Space Runaway Ideon: The Complete Collection, is the brainchild of director Yoshiyuki Tomino (the creator of Gundam) slated for release February 5th. Second, Parasyte- The Maxim: Complete Collection out on the 19th. Third, one of Ryutaro Nakamura’s masterpieces Kino’s Journey: The Complete Collection out on the 26th. If none of these titles interest you, however, these are just a few amongst dozens of films slated for release in February by these two boutique anime home video companies. More titles and their back catalogs can be found at the links above.
Manga! There aren’t as many February releases that sounded vital to me in this comics medium as in the anime medium, but nonetheless there are a few titles that I thought worth mentioning here. The first is from Viz Media. It’s a classic Rumiko Takahashi manga that was later adapted into one of Mamoru Oshii’s first directorial jobs as an animator, and became the gift that kept on giving as that great director of films like Ghost in the Shell and Angel’s Egg was given the chance to direct two of his first features from it. That’s right! Urusei Yatsura is getting a new American manga release on February 19th.
Seven Seas Entertainment is also releasing a few interesting manga and light novel titles throughout February. The Boogiepop Omnibus Vol. 4-6 light novel series is being released on the 5th to support the new Boogiepop anime Boogiepop and Others. Two more classic collections of material are soon set for release through Seven Seas as well. These include Captain Harlock: The Classic Collection Vol. 3 and Space Battleship Yamato: The Classic Collection on February 26th. To round out your collection of early Leiji Matsumoto and Go Nagai, I suggest checking out their prior Classic Collection editions of Devilman, Cutie Honey, and Captain Harlock as well.
Finally, there are quite a few notable anime conventions running throughout February. In fact there are more than I could hope to list here without driving you, and myself, to utter and complete boredom, as there are something like 3-5 anime conventions going on in North America every weekend of February at this point. So instead, I’ll just list a few that are in my general area and look promising:
Virginia: Star City Anime Con in Roanoke from the 1st-3rd. ODUCon in Norfolk from the 8th-10th.
Georgia: Seishun Con in Atlanta from the 8th-10th.
Florida: NotCon at Sea. An anime convention on a Cruise Ship! Departing Miami on the 15th and returning the 18th. I can sense debauchery and excess all over this one!
Tennessee: Con Nooga in Chattanooga from the 22nd-24th.
[Postscript: I’ve been devouring anime this year and have seen 22 in the past 19 days. I’m getting a decent sense of what anime might just be contenders for the best anime of the year already. So keep an eye out for Boogiepop & Others; The Promised Neverland; Carole and Tuesday (directed by Shinichiro Watanabe); and Blade Runner (produced by Watanabe and directed by Kenji Kamiyama and Shinji Aramaki). Cheers!]
Anime still may not be mainstream in America, but with its presence on practically every streaming platform, tons of TV channels, in large theatre chains, most large retail stores, and with multiple anime-themed conventions for just about any weekend in the year, we’ve got a good thing going, eh?
Personally, I’ve been attending anime conventions since 2011, and have been watching anime as long as I can remember. I have also been running this blog with a mostly anime theme for about two full years thus far with over 400 unique articles on my favorite anime series and films. So, while I may be no real expert in the field, I am a pretty hardcore fan well in the know.
Over the years, I’ve drawn up a long list of groups releasing the best anime and manga in the states and would like to present that information here on a month-to-month basis in order to keep my followers on WordPress, and my friends at home, updated and inundated with reminders about anime so they won’t miss out on all the cool stuff I brag incessantly about seeing on the reg.
First off, the anime film every one was talking about at Ichibancon 10 this month: Dragon Ball Super: Broly. This new Dragon Ball film has been out since last Thursday (compliments of Funimation), but as far as I can currently tell, will continue screening in theaters nationwide until this Thursday. So if you can’t get enough of the classic Shonen Series, but don’t want to watch the interminably long Super TV series, check this out ASAP!
Second theatrical film to mention is the theatrical re-release of the critically-acclaimed and widely popular commercial success that was 2016’s A Silent Voice. The film will be in theaters for two days only on Monday 28th and Thursday 31st, compliments of Fathom Events. If you’re not familiar Fathom, definitely check these guys out. For the past few years, they have released high-quality anime to theaters nationwide including the North American release of Mirai of the Future last December and Studio Ponoc’s Modest Heroes just a few weeks ago. Fathom Events has also hosted a 9-month, 9-film Ghibli Fest for the past two years, which focuses on presenting Western audiences with both beloved and obscure works (and has allowed me to see all ten of Miyazaki’s feature films on the big screen). No details for Ghibli Fest 2019 have been released yet (the event has started in March in years past), but Kotaku reports that a new lineup of films is in the works.
As for anime home video releases, my favorite indie company in the field, Discotek Media, has a few releases up its sleeve, all slated for a January 29th release. The three that most piqued my interest were Tetsujin 28: Morning Moon of Midday on a Blu-Ray/DVD combo pack, Shin Tetsujin 28 Complete Series Blu-Ray, and a Lupin the 3rd: Series 2 Boxset 3 (Episodes 80-117) on DVD. If you’re a fan of classic anime series and films, you will find old Madhouse, Lupin III, and pre-Ghibli Takahata and Miyazaki works in spades amongst their modest catalog.
Second up for anime home video release is GKIDS release of Masaaki Yuasa’s 2017 masterpiece The Night Is Short, Walk On Girl. If you think you recognize that name, it’s because Yuasa is the director of top-tier contender for 2018’s G.O.A.T. (G.O.A.Y.?) anime Devilman Crybaby. Also available at GKIDS is Yuasa’s 2004 film Mind Game, and in early February I discuss GKIDS’ third slated Yuasa release.
This time around I couldn’t find any manga set for release in January that has not already been released by this time in the month, but suffice it to say that I’ll be checking into Viz and Seven Seas Entertainment to bring classic manga, or anything by Junji Ito, to your awareness. And for those who live in Southeast like myself, I’ll be keeping everyone updated on good regional anime conventions to keep an eye out for as well as passing along any information about panels I may or may not be delivering at said conventions.
Well, that’s all for now. As always thanks for checking out this blogspace. Likes, comments, and especially shares would be most appreciated from anyone who found this guide to the remainder of January and Anime in America useful.
Ciao for now,
[Postscript: I am not endorsed by any of the brands or media companies listed above. However, I wouldn’t complain if any of them offered their support :1. Or if Kotaku needs another staff writer? Hey, I did live in Japan for three months not too long ago after all…]
Just got the internal message today and found out that this is my 6 year anniversary on the platform.
Not every year has been particularly productive on my end, but this last year has been. With over 400 blog posts in the past year, and nearly 40,000 views, this blogspace has grown tremendously and I want to thank each and every one of you for continued support and motivation to continue on.
I also want to use this post to update you on a important Film and Anime related pieces of news for the upcoming months. If you haven’t yet, check out NetFlix for the new Orson Welles picture The Other Side of the Wind and accompanying documentary They’ll Love Me when I’m Dead. On November 20th, the Criterion Collection is also releasing a number of Upcoming Titles including Orson Welles’ The Magnificent Ambersons, a 100-year Birthday Retrospective Boxset of Ingmar Bergman’s films, and David Byrne (or The Talking Heads) sole feature film True Stories.
As for Anime, Fathom Events is bringing a number of films to the big screen throughout the U.S. in the coming months. Studio Ghibli’s first official feature Castle in the Sky (Nov. 18th-20th), the new Pokemon feature (Nov. 24th, 26th, and 28th), Mamoru Hosoda’s most recent feature Mirai of the Future (Nov. 29th, Dec. 5 and 8th), and the Studio Ghibli documentary Never-Ending Man: Hayao Miyazaki (Dec. 13th and 18th).
I don’t typically follow Manga releases, but Seven Seas Entertainment has been on point with retrospective classic collection releases this year. Already, they have released a one-volume Cutie Honey compendium and the 1st and 2nd of a projected 3-volume compendium of the Devilman the original manga. And in the upcoming months they plan on rounding out these Go Nagai releases with the final volume of Devilman. Seven Seas has also released the first two volumes of Space Captain Harlock and has plans to release the final compendium of this as well as a one-volume complete collection of Space Battleship Yamato to round out their new Leiji Matsumoto line. If these volumes are successful enough, they could even release manga like Galaxy Express 999, Gun Frontier, and Arcadia of My Youth (Matsumoto) or Mazinger Z and Getter Robo (Nagai) in the coming years.
As always, thanks for the support. And catch you next time when I finish up my long-running review series of Chiaki J. Konaka’s classic Mecha anime The Big O. As for now, I’m off to Oven’s Auditorium in my home-city of Charlotte, NC to see Bob Dylan in concert for the first time!
Smell ya later,
Just a quick update everyone. I’ve been working on renovating the outside of my home to placate my homeowner’s insurance.
Will be back to 9-10 Essays/Reviews per week beginning Monday. Thank you for all of your support and for your patience.
Ciao for now,
In 1986, Clint Eastwood directed, produced, and acted in a war film that cost $15 million USD to make. Although it looked like a TV movie, had the lamest possible war as its central action piece (the 1983 Invasion of Grenada), and was one of Eastwood’s least distinctive projects as a director, it managed to net over a $100 million USD beyond its budget. There are no painterly compositions in the film, no great acting performances, no explosive action sequences, and no intrigue except for the least common denominator consumer of kitsch with a long attention span (surely an imaginary figure, no?), and yet it made a ridiculous amount of money based on the strength of Eastwood’s name alone.
In this Technicolor war film, Eastwood plays an aging Marine named Gunnery Sergeant Thomas Highway who seems to be in the force for good. He was once a great soldier who fought nobly and won the Congressional Medal of Honor during the Korean War for acts of valor during a skirmish known as Heartbreak Ridge. Later, he apparently went on four different tours of duty in wartime, three of which were in Vietnam alone. but his constant gungho mentality and will to kill and to fight in a combat zone led him to neglect his wife back home, to never raise a family, to never sit back and come to terms with who he really was at core, and as such, his wife eventually left him. Highway becomes a drunk and ends up constantly finding ways to start fights with other soldiers and with civilians as a way to get out his frustrations.
So when he lands a last chance to train a young group of recruits for the front lines, he takes it in earnest and tries his best to turn a new leaf. He spends much of the film attempting to shape up his green recruits into a fighting force worth their salt, whilst butting heads with his commanding officer Major Malcolm A. Powers (played to little effect by Everett McGill: Twin Peaks’ Big Ed) who is himself a young man with no current fighting experience. This desk chair general thinks himself a knowledgeable commander because of all he has learned at the academy before ascending to a respectable position as a leader at a small training camp and Highway does his best to prove the kid doesn’t know the first damn thing about military tactics, which are, he believes, first and foremost, about surprise, good timing, taking initiative, and having the guts to attack even if the odds are against you.
Meanwhile, Highway tries his best to stop drinking heavily and begins to treat his body better in his old age. He gets into a few fights, but mostly against his own platoon soldiers or against his superiors during sanctioned training exercises, which obviates the need to reprimand him for his actions. He begins reading women’s magazines in an effort to better understand the psyche of women and in particular, the needs and thoughts of his ex-wife with whom he wishes to reunite. The whole exercise is relatively campy without being shot in a manner that reflects this zaniness or acted in a manner that makes it apparent. It’s sappy without having a real emotional core as none of the cast of characters are particularly easy to identify with, partially because of the relative drowsiness of their acting, and therefore, I found it pretty difficult to care about any of the struggles of the film’s characters.
As an epic war film, one might imagine that much of the picture would revolve around a war setting. However, much of Heartbreak Ridge is purely human melodrama on the way toward the battle. And when the battle comes, it is pretty lackluster. There is gunfire, and explosions abound, but the numbers of the characters is very restrained, the scenes carry no kinetic weight as they are shot head-on with little concern with crafting epic, sweeping scenes or painterly compositions and it becomes painfully obvious in these scenes that either Eastwood let an unskilled workman-like second unit director shoot much of this material, or worse, that he was uninterested in making the scenes interesting visually (we know he was able to do so as he had done so on previous films and would do so later in his career as well).
The pre-production period of the film was slowed substantially by the Army first endorsing the film, then reading the script, and finally taking back their endorsement as they thought that the character of Highway was too old-fashioned and did not reflect the modern teachings and instruction of the Army. It seems they had not enough intelligence to realize this was the intention of Eastwood: to produce a film in which the modern, weak-willed approach of the military, which often kowtows to progressive morality instead of taking on a total warfare/ war is hell approach, butts heads against a real old school hard ass of the latter mentality. Later, the Marines endorsed the film, but after receiving a screening of the picture, they too retracted their endorsement citing similar concerns to those of the Army. If fatigue at consistently being misunderstood by those institutions he meant to lionize wasn’t enough to weaken his resolve and thereby affect the film negatively, then I don’t know what did, but as established above, there must have been some lack of trying on someone’s part.
Some of Clint Eastwood’s films are amongst my favorite American films of the post-New Hollywood period and include classics like the Hitchcockian thriller Play Misty For Me (his directorial debut); the Westerns High Plains Drifter, The Outlaw Josey Wales, Pale Rider, and Unforgiven; the music films Honkytonk Man and Bird; the dramas Midnight in the Garden of Good and Evil and Mystic River; and the War films Letters From Iwo Jima and Flags of Our Fathers. Many other Eastwood films are ones I enjoy on occasion, and consider good films, but would not place amongst the ranks of these former pictures. As for Heartbreak Ridge, I cannot in good conscience place it even amongst the ranks of his decent pictures and found it overwrought, a little lifeless, dated, and worse yet, boring.
Just after the ADR-05: Creep Hands is finally defeated, a new Mega-level friend appears. His name is Justimon and his outward appearance was consciously modeled after the Super Sentai fighters, or Power Rangers, as one of Japan’s most popular Tokusatsu shows. At first, Sakuyamon, MegaGargomon, Kazu, and Guardromon have no clue who this being is and are pretty wary about the situation. But it soon becomes clear that this is the biomerged fusion of their friends Ryo and Monodramon.
And it’s lucky that he appeared when he did as another D-Reaper agent soon enters the scene and threatens to cause more trouble. This time, the agent is an ADR-06: Horn Striker. This being is an extremely powerful melee combat unit who doubles as a Military Commander agent in the D-Reaper’s proxy army. Justimon decides to take on this unit by himself and advises the others to go and try to save Gallantmon from the D-Reaper Zone within which he was so recently pulled by an arm of the D-Reaper’s Zone’s red mass. While Sakuyamon and MegaGargomon fly off, Kazu and Guardromon realize they will not be able to follow along on account of their relatively lower speeds and instead decide to stay behind to help Justimon take out the ADR-06.
Back at Hypnos, the gang still can’t figure out how to create a new program that could incapacitate the D-Reaper. And even the schematics they’ve received about it’s initial programming reveal little helpful information regarding how one might destroy it or halt its progress. Janyu’s mind, as have the minds of all his fellow Monster Maker’s and Hypnos employees, is racing. He wonders how the D-Reaper could exist in both the Digital World and the Real World at the same time, and whilst studying the footage of the D-Reaper, locates a blue orb that his gut reaction tells him is the core of the program. This ‘brain’ is most likely the site of the D-Reaper’s consciousness. If destroyed or cut off from the rest of the surrounding mass, it would have no extension into the Real World and no way to manipulate its ‘limbs’ to act within the world. Now that he has determined this connection, and disclosed it to his colleagues, he must divine some way to take advantage of it.
In the park, inside of the D-Reaper’s Zone, the ADR-01: Jeri Type clone continues to antagonize Takato. She torments him repeatedly with past stories about how Jeri was cruel to her step-mother and considers herself to be a bad person thereby, as well as explaining that Jeri always thought Takato was weird and too interested in Digimon, even before he knew they were real. All the while, Guilmon does his best to keep his partner Tamer sane through the experience and eventually, the ADR-01 cracks completely and becomes totally unlike Jeri in aspect. She begins to chase Takato down, deleting trees all along the way. Until that is, Kenta and MarineAngemon finally arrive on the scene. The diminutive Mega-level Digimon uses his Kahuna Waves ability, which shoots out hearts of light that scare off the ADR-01 and confuse it simultaneously, as if manifesting some unknown force, the inscrutability of which threatens the D-Reaper’s claim to omniscience.
Outside of the D-Reaper’s Zone, Calumon and Impmon decide to enter the Zone if necessary to help Jeri: Calumon out of friendship and Impmon out of guilt for destroying Leomon. Calumon feels himself called to a specific area where he comes up against an invisible wall. He pushes and prods, but cannot move through the obstacle until Impmon Digivolves into Beelzemon Blast Mode and cracks the wall with his Double Impact hand cannon attack, delivers a well-placed roundhouse to break it open, then claws an opening through which Calumon enters the wall and finds himself within a Bubble. The same bubble, in fact, that Janyu had previously identified to his pals at Hypnos as the potential consciousness core of the D-Reaper. Therein, Jeri resides, sitting by herself, completely unresponsive to Calumon’s calls, and ruminating on her past failures, the loss of Leomon, and her apparent destiny to remain lonely forever. As Calumon continues to try and get her attention, he is pulled into the central bubble within the bubbles and Beelzemon is bound in a series of cables by the D-Reaper who recognizes him as a potential threat.
Meanwhile, Sakuyamon has created a powerful protective field, which surround herself and MegaGargomon and gives them the ability to enter the D-Reaper Zone unscathed. However, the process takes a lot of energy out of Sakuyamon, as does the mere presence of so much chaotic energy, constantly sapping away more and more of her strength. Just as she is about to grow so weak that she might de-Digivolve into her constituent parts as Rika and Renamon, they find Takato, Guilmon, Kenta, and MarineAngemon. The latter uses his Kahuna Wave attack on Sakuyamon, which restores her strength, and also doubles as a tool to immediately destroy any chaos globules it comes into contact with. All six finally exit the D-Reaper Zone and rejoin Justimon, Kazu, and Guardromon just in time to help fight the ADR-06.
Problem is, each time the thing appears to be defeated, it merely absorbs more energy from the D-Reaper Zone, engorges itself, and becomes larger and more powerful. Eventually, Justimon realizes they must cut the chord connecting the ADR-06 to the D-Reaper Zone in order to defeat this Hydra-like mini-boss. Antylamon arrives and grabs the chord while Justimon cuts it with his arm blade. And finally, everyone is back to together in one place. Everyone except for Impmon and Calumon that is, who Antylamon reports have entered the D-Reaper core (she was unable to aid them at the time). And Alice as well, who Rika remembers as being intensely sad after the loss of Dobermon, and regrets not being able to thank her for her help in sacrificing her partner Digimon to give the other Tamers the power to biomerge.
In Calumon’s case, we are given an image of hopelessness and despair as one of our final vignettes as he sits within the D-Reaper’s core unable to get Jeri’s attention and cheer her up. Juxtaposed with this vignette, however, is one of hopefulness. Alice walks the city streets alone, solemn, resigned to her loss. But behind her she feels the presence of Dobermon, turns to see a vortex of blue and red particles momentarily swirling about, and hears his voice, just for a moment. Once the D-Reaper is defeated and the need to Biomerge Digivolve is no longer necessary, will the Tamers be able to give back their ability and the life energy given in sacrifice by Dobermon in order to revive him. Or is such a thing even possible in a Digimon Universe like that of Tamers wherein the first 46 episodes give us not one mention of DigiEggs or of life after deletion for Digimon.
Ciao for now,
The Digidestined Cody